Exhibition at Kumu gives an overview of history of Estonian printmaking ({{commentsTotal}})

Printmaking is a field in which Estonian artists started to be noticed internationally as early as the 1930s and again starting in the 1960s, when, with its innovative spirit, it was the leading art form. The Kumu Art Museum in Kadriorg is currently featuring a representative exhibition, "History of Estonian Printmaking: 1860–1944".

If one does not include August Clara, who was active in the early 19th century and blended into Baltic German culture, the first Estonian graphic artists appeared in the second half of the 19th century and studied outside Estonia.

In 1914, the Estonian Art Society founded the Tallinn School of Arts and Crafts (later called the State School of Arts and Crafts, the forerunner of today's Estonian Academy of Arts), and in 1919 the Pallas School was founded in Tartu (as of 1924 the Higher Art School Pallas), which also educated graphic artists – each according to his/her objectives.

It is one thing to read about art, another to see it in the original, to have the opportunity to experience its changes and to make comparisons between the different schools and individuals. Many know the name Eduard Wiiralt* but, along with this printmaking genius, more than 80 other artists are represented in this exhibition, some of whom have found a worthy place in art history, while others are still awaiting research.

Although printmaking is a reproductive art, pictures printed on paper are often treated carelessly, but fortunately at least single copies exists of some of the works exhibited here. Perhaps exhibition visitors will discover the charm of traditional printmaking techniques and learn to appreciate their complexity and mastery, and start to better understand this art form of a more metaphorical idiom than painting.

* Eduard Wiiralt (real name Eduard Viiralt; 1898-1954) was a well-known Estonian graphic artist. In art history, Wiiralt is considered as the most remarkable master of Estonian graphic art in the first half of 20th century; his most well-known works include "Inferno", "Cabaret", "Heads of Negroes", "Sleeping Tiger" and "Head of a Camel".

Editor: S. Tambur

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